Make Totonaco art visible: Dances between folklore and ritual ceremony
DOI:
https://doi.org/10.47808/revistabioagro.v7i1.167Keywords:
show, festivity, traditionAbstract
This article emerges from the exploratory research carried out from January 2017 to 2019 in the Totonacapan region, called “Produce, reproduce and resignify regional arts. In order not to remain alone with the spectacular and tourist dimension, it was necessary to articulate various interdisciplinary knowledge that revolve around cultural heritage, indigenous art and gender perspective; in such a way that it allowed an intercultural communication with the authors of the Totonacapan dances.
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References
Colombres, A. (2014). Teoría transcultural del arte. Hacia un pensamiento visual independiente. México: CONACULTA.
Ortega Vargas, C. G. (2017). Hacia una cartografía de la visualidad decolonial. Cuatro artistas indígenas contemporáneas de Norteamérica. Xalapa: REALIA.
Winter, T. (2012). Beyond Eurocentrism? Heritage conservation and the politics of difference. Obtenido de International Journal of Heritage Studies: https://doi.org/10.1080/13527258.2012.736403
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Copyright (c) 2019 Jesús Alberto Martell León
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